Philadelphia born Alphonso Johnson begun his career in the early Seventies as an upcoming electric bass player on the jazz scene. His first recordings were with artists working under Gamble and Huff, before moving to LA to work with the Woody Herman Orchestra. In 1974 he replaced founding member Miroslav Vitous in the group Weather Report and later went on to work with the likes of George Duke, Billy Cobham, Santana and even Phil Collins. Moonshadows was his debut solo album from 1976, released on Epic and featuring some great jazz funk fusion. Players on board included Patrice Rushen, Flora Purim, Airto Moriera, Lee Ritenour and Bennie Maupin among others. Alphonso's work on the bass is excellent throughout the album: sometimes funky, sometimes driving, other times more experimental. I also really like the drumming on this album, and as with all my favourite jazz albums - it features some good use of synthesizers.
The opener Stump is a nice mid-tempo funk workout with some sampladelic drumbreaks and a great false ending. Involuntary Bliss, with vocals from Flora Purim, starts out smooth and dreamy before the groove gets more urgent and noodle heavy in the mid section. Third track Cosmoba Place has a rockier vibe to it with heavy drums, some B-3 organ and a strong lead guitar. There are some mad bass effects to mess with your head too. Side 1 closes with the short and dreamy interlude Pandora's Box. Up From The Cellar starts side 2 off in fine funky style. Probably my favourite track from the LP featuring nice tight guitar licks, smooth keys and lush vocal sections. Amarteifio is a cool, mellow vocal number with some lovely chords and harmonies. On The Case rolls along nicely with its mix of rock/jazz psychedelia, again with a strong lead guitar from Lee Ritenour. The album ends with the euphoric Unto Thine Self Be True - great hooks, great synths, beautiful music. What more can I say?
16 November 2008
08 November 2008
A couple more 80s jams for your listening pleasure, both of these are on the Virgin label. First up is a nice little mid-tempo boogie/disco shuffler called You Should Have Known Better. There were 2 versions of it doing the rounds in 1985 - this one from T.C. Curtis and another from Skratch. They're not hugely different, Skratch had a tighter beat but I prefer the vocals on this one (backing vocals from Galaxy). It was written by William Alexander Smith and licenced from Hot Melt records.
T.C. Curtis - You Should Have Known Better.mp3
Next we have Bryan Loren who had a minor hit with Lollipop Luv in 1983. Easier Said Than Done was the follow up single from 1984, licenced from Philly World records. It's a little less poppy sounding and more funky. Doesn't look as if Bryan released anything else, although he has a number of production credits on Discogs including Bart Simpson's Do The Bartman - which to this day I never knew was written by Michael Jackson!
Bryan Loren - Easier Said Than Done.mp3
posted by acidbearboy at 12:22
07 November 2008
My review of the new Morgan Geist LP is online at www.dorq.co.uk, the new place online for Digital Opinions, Reviews and Questions. A friend of mine has just set it up and asked me to write something for the site. Below is a direct link to my review, any comments would be most appreciated as it took me forever to write and I still didn't really like it when I was finished!
posted by acidbearboy at 23:56